Ultimate Collection (Bonus Tracks) (Ltd Ed)
March 6th, 2010
Following in the footsteps not only of Universal’s many Ultimate Collection, but also the Beatles 1 — a groundbreaking collection in the sense that it proved that a collection that contains all the hits will actually sell on CD (thereby proving the cynical ploy of leaving hits off a compilation in order to sell catalog is flawed) — the Who’s 2002 compilation The Ultimate Collection attempts to collect all their hits, all their anthems in one place. It fits that bill very well, providing all the big items from “I Can’t Explain” to “Emenince Front” as it spans two discs and 35 tracks. Sure, fans will find personal favorites missing, whether it’s “A Quick One While He’s Away” or “Athena,” while collectors will note that it contains everything from the previous attempt at an exhaustive CD compilation, 1996’s My Generation: The Very Best of the Who, but it doesn’t matter, because this is the best summation of their career for a general audience yet assembled. It functions as both an introduction and as the one Who album listeners who just want the hits will need. But in case you’re one of those listeners who need to be persuaded to buy a new Who compilation, since you already have three or 12, plus all the expanded reissues, the initial pressing of The Ultimate Collection contain a four-track bonus disc of rarities featuring the rare U.S. single version of “Substitute,” an early version of “I’m a Boy,” a previously unreleased acoustic version of “Happy Jack,” and the U.K. single version of “Magic Bus.” All are nice rarities, but collectors will have to consider if they really want to buy a double-disc set of everything they already have just to get four songs.
- Stephen Thomas Erlewine, All Music Guide
Icy Sage Grass
March 6th, 2010Icy sage grass blades are highlighted with silvery glitter. Add a touch of Jack Frost or fairy dust to your quilt. Sorry, we couldn’t capture the magic of this fabric with the camera. Retail – $9.00 Our price – $8.59 Quantity: 3.36 yards in stock. We can’t order more. Item Code: fwitt376s Go back
Swingin’ with Bing! Bing Crosby’s Lost Radio Performances
March 6th, 2010
The public domain is wellstocked with budget discs drawn from Bing Crosby’s long radio career. Unfortunately, few are worth the plastic they’re etched on, the usual problems including horrid sound quality and little in the way of documentation (regarding their origins) or context (regarding their relation to Crosby’s career). Enter Shout Factory to remedy the situation, hiring longtime enthusiast Ken Barnes who produced several sessions during Crosby’s recording renaissance of the mid
Have a Nice Decade: The 70s Pop Culture Box
March 2nd, 2010>
For anyone who grew up during the last days of AM radio, anyone who remembers gas shortages, disco scarves and feathered hair, this mammoth seven-disc box set will be a holy grail of nostalgia. First of all, the discs themselves contain a staggering 164 tracks. Basically, if you remember the song, it’s probably included: from enduring chestnuts even today’s teenagers can sing (”Fire and Rain,” “Fly Like an Eagle”) to obscure gems of kitsch like “The Night Chicago Died” and the supremely maudlin “Billy Don’t Be a Hero.” If you were born in the 1960s, you’ll probably find this stuff enjoyable rather than embarrassing to the degree that you can think back on your adolescence without cringing. But don’t let the music distract you from the packaging, either. The box is covered in avocado-green shag carpeting (embroidered with a happy-face pattern), and the booklet contains photos of all the artists, essays on the politics and culture of the period and capsule references to notable events, fads and people. Only Rhino Records could have put out a reissue package of music, images and text this perfect.
- Rick Anderson, All Music Guide
Clear Snap-On Cover For T-Mobile myTouch 3G, HTC Magic
March 2nd, 2010
This hard snap-on cover is designed for T-Mobile myTouch 3G (HTC Magic) . Comes with 2 pieces of hard plastic protective plates (front and back) and a detachable swivel belt clip. The protective plates offer openings for screen display, front buttons, side buttons, camera lens, data port, headset jack and charger jack which allow access to all phone functions. Easy snap-on installation. Protects your smartphone from scratches. Keeps your smartphone in good condition and looking new. Smartphone can be used with the cover on. Can be attached to a belt. Made of hard plastic.
Ultimate Dance Trax [Madacy Box]
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Who’s Better, Who’s Best
February 28th, 2010
Who’s Better, Who’s Best is a compilation of the Who’s best-known songs, containing all of the familiar items — “I Can’t Explain,” “I Can See for Miles,” “Pinball Wizard,” “My Generation,” “Substitute” — but presented without much care. The album is further plagued by the presence of some filler tracks that really don’t deserve to be on any best-of. Who’s Better, Who’s Best is, however, in its finer moments a fine compilation. Indeed, the first half of this 1988 release collects nine of the most interesting rock tracks ever. Unfortunately, the compilation falters as it comes to a close. A more forthright compilation is perhaps a better option for most (Meaty Beaty Big and Bouncy springs to mind). Nevertheless, Who’s Better, Who’s Best is a solid career overview and is useful for both casual and hardcore fans.
- Ben Davies, All Music Guide
MAGIC AWNING WAND – 08360301
February 28th, 2010Live at Leeds [Deluxe Edition]
February 28th, 2010![Live at Leeds [Deluxe Edition]](http://www.magicjackincanada.com/wpshopping/uploads/1921473449.jpeg)
This two-disc set should be the final word regarding the Who’s February 14, 1970, performance at Leeds University. The main impetus for consumers — who may have repurchased this title in its various formats — is having the entire Tommy rock opera intact. While impressive, that performance merely scratches the surface of the multifaceted sonic and visual improvements that exist on the Live at Leeds (Deluxe Edition). The 1995 single-disc restoration of Live at Leeds more than doubled the original six-track album, which consists of all the non-Tommy material performed that evening. This deluxe edition features the Who’s entire performance — albeit in a somewhat truncated form. To accommodate a seamless inclusion of Tommy onto the second disc, “Shakin’ All Over,” “My Generation,” and “Magic Bus” have been taken from their chronologically correct place at the end of the entire show and relocated to the end of the first (read: non-Tommy disc). Even though drastic improvements augmented the 1995 release, time considerations meant that some ambience and stage dialogue between the band and the audience was still missing. With the expansion to a two-CD format, much of the previously edited material has been reinstated to reflect the actual pacing of the show more accurately. This new mix — supervised by Pete Townshend (guitar/vocal) — is an all-encompassing stereoscape which has never felt more intimidating. Although no mention is made in the information- and memorabilia-laden 28-page liner-notes booklet, vocalist Roger Daltrey performed several vocal overdubs during Tommy which are unique to this release. Although not impossible to locate, they blend surprisingly well with a recording that is fairly old. Live at Leeds (Deluxe Edition) is a must-own release for any rock roll collection.
- Lindsay Planer, All Music Guide

